Hi all or anyone at all!
I've been reading Michael Moorcock for a couple of years now, done the usual dive in through the fantasy/sf omnibuses (although not habitually a fantasy reader) and am now exploring more widely.
I just started Breakfast In The Ruins and had to break my silence to praise the first segment of the book, in the roof garden. Its a perfect short story. Its evocative of a place and time (current then, but historical now) and of a mood that I find easy to relate to. Then broader issues of emotional, social and economic guilt and embarassment are raised just beneath the horizon. I find myself sympathising emotionally yet also encouraged to look at more abstract themes.
Quite lovely. Neil Jordan's early short fiction seems to try similar ideas.
Now I'll go and read the rest of the book...
I've been reading Michael Moorcock for a couple of years now, done the usual dive in through the fantasy/sf omnibuses (although not habitually a fantasy reader) and am now exploring more widely.
I just started Breakfast In The Ruins and had to break my silence to praise the first segment of the book, in the roof garden. Its a perfect short story. Its evocative of a place and time (current then, but historical now) and of a mood that I find easy to relate to. Then broader issues of emotional, social and economic guilt and embarassment are raised just beneath the horizon. I find myself sympathising emotionally yet also encouraged to look at more abstract themes.
Quite lovely. Neil Jordan's early short fiction seems to try similar ideas.
Now I'll go and read the rest of the book...
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